Just down here. After a short stop at the Steensons workshop who designed the jewelery for Game of Thrones we drove a along the coast to the place where Melisandre gave birth to the shadow assassin in season 2. Murlough Bay was our final stop of Day 2.
Here Theon Greyjoy rides on the horse with his sister Yara in season 3. It is also the spot where Davos is shipwrecked after the battle of Blackwater Bay. The amount of shooting locations led us to the question "Why did northern ireland get picked for the shooting the best online casinos for usa players?"
- Well originally they didn't choose Northern Ireland, actually they chose Scotland. But there were a few problems with the filming there and when they decide to film a second pilot ...they ended up using Northern Ireland because of the large film studios they now have build for GoT at Titanic studios in Belfast. Along with that they have a beautiful landscape here in which they can film this medieval series.
Although it hasn't been featured yet we decided to start day 3 by visiting the Giant's Causeway and drove along the beautiful Causeway Coastal route to get to the next game of Thrones spot. The stunning Ballintoy Harbour has been used for exterior Pyke shots and as the Iron Islands.
This is where Theon arrived at the islands and got baptized. Just around the corner from the famous tourist attraction "Carrick-a-Rede Rope Bridge" you can find the location where Brienne beats Ser Loras and is given a place in Renlys Kings guard as a reward. On the final day of our road trip we went to Portstewart Strand which has been used as Dorne in season 5. One of the most iconic locations is right next door: Downhill beach and Musenden Temple which has been iluminated and transformed into Dragonstone in season 2. Welcome to the iconic Dark Hedges. This is where Arya Stark made her escape from King's Landing. Here we will be ending our road trip... - and if you want to replicate our trip and if you want to find out more about all the spots we visited you can check the website which we link below. If you like the video be sure to share with your friends and don't forget to subscribe to this channel Valar morghulis
- Valar dohaeris! I would encourage the world to come and enjoy the wonderful locations shown. - Sleep in King Roberts bedroom, enjoy the food stuff they enjoyed over a number of weeks!
Hello and welcome from Northern Ireland! My name is Steve & my name is Kristin. Today we're going to take you on a very special road trip.
Winter is coming! You know nothing. Of course we start our discovery in the north and instead of horses we took the bikes to come to the Tollymore Forest. All of the scenes that were shot in the first 2 seasons north of the wall were done here. The Tollymore Forest Park covers an area of 630 hectares at the foot of the Mourne Mountains. Oakwood from Tollymore was the preferred material for the interiors of the White Star Liners including the famous Titanic which was build in Belfast.
With our guide James we explored the locations where the Starks found the dire wolf pups. As well as the spots of the Wildling camp and the haunted forest itself. After a short drive from Tollymore we stopped at the river Quoile which was featured as the location of "The Twins", the seat of the House of Frey. Afterwards we went to Inch Abbey where Rob was declared "King in the north" in the season finale of season 1. We finished day 1 at the Cuan in Strangford where the owners Peter and Caroline shared some insights from the shootings which took place at nearby Castle Ward.
Over a period of 10 weeks we had the principle actors stay with us. Our two children really enjoyed it, of course they were able to bring Selfies back to their Drama teachers. Castle Ward was able to be adapted and adjusted and used freely by GoT without too much intrusion from the general public. The site that they used for Robs camp is at the end of a public road. Even though they had big sets there and lighting it was relatively hidden from the public eye. They where relatively undisturbed. When you see it on TV and you know the exact location it adds more specialness to it! Next Spot is Castle Ward and this is a really important filming location.
This is basically where all the Winterfell shots were filmed and as you can see we are about to try your hands at archery Your archery skills have been found wanting and I, Lady of Winterfell, send you to death. Today we're driving from scene to scene so this is right place to introduce you to our guide Phil. He also drove the crew. Right now we're at the place where they actually shot scenes where you see Winterfell sitting on top of a mountain. - That's right! They CGI'd in to the top of the mountian here on the right. So basically when Jon Snow goes to the wall and Ned Stark goes to King's Landing and they look back at Winterfell they look back to that place. Just over here it was where Ned Stark beheads one of the guys from the Nights Watch. On top of it we have where Brienne and Podrick were in season 5... following Sansa Stark and Petyr Baelish.
It's a seven hour 55 minute flight I'll probably sleep for six and a half hours of it so I don't feel much, that's what's going on. Gonna play with that thing? - I don't know. - [Father] How many times have you flown in international first class? - Like four, three? A lot. (stewardess mumbles) - [Father] Is this weather okay for you Lincoln? - It's a bit cold. - It's not that cold.
The air is so crisp out here. Just smells good. Poor little guy, he's so tired, it's three in the morning back home. There's Lincoln. Lincoln's in the car, he's so tired, we're just gonna leave him in there and then we're gonna go and do like an interview with local radio, to kind a promote The Power of Video conference. So yeah, I think Belfast is probably a pretty safe place, no big deal. Oh, heh heh, push. So is this your set up here then? - [Radio Announcer] My set up here, yeah ya. - Nice. - [Radio Announcer] Yeah, we kind of work off of two different desks. - Look at all that. - This is our play list on the right hand side here. - We're about to do an interview so it's almost over, shhhh. - [Radio Announcer] So we're here Friday I'm in Love on a Monday and I appreciate such a good song, I don't really mind that. (he mumbles) And we had just a wee chat before we came on air here about how the first couple of years of YouTube were people messing around and now it's a legitimate business.
Dan a lot of people will know you from the Watson's Side concept on YouTube and in case people haven't seen your channel I would imagine they're in the small minority at his stage, tell us a bit about it. - Yes, so right now we have 4.6 million subscribers which sounds like wow, we're such big YouTubers but three years ago I was a pharmaceutical sales rep for a drug company, I did that for twelve years and now I'm a full time YouTuber but what happened before was-- - We're talking about how we use video. - Alright, we are done. And, okay, the car is still there, that's step one. No parking ticket, that's step two. Step three, is my child there? (he laughs) And does he know we even left, that would be pretty funny. Here we go. He's still asleep.
Yes, I was honestly getting a little worried because it was really long. It was really fun the interview, but it did get a little long so I was like, where's Lincoln? (car door slams) Hey buddy. Sorry, we're back. You can keep sleeping, we're going to the hotel now. (upbeat music) This is the fanciest hotel. We were here last year, I was here last year. For maybe six hours I didn't even sleep, I just worked, edited. So I'm really excited. We're gonna be here for the next three days. We're gonna show you the grounds with the drone shots and everything, I'm super excited. But right now, I'm most excited to get some sleep. - [Lincoln] Ah, you're not the only one.
In this article we're going to talk about a system called the red caboose system. So those who don't know a caboose is a little railroad car at the end of a freight train and usually provide shelter for those the drivers and they obviously watch to the side to make sure the cargo and all the carriages are okay. So relation to the system, it means that's pretty much the end of the system, a red, a red because we're looking for a sequence.
Now you might get those people the go. Okay, so the same probability of black red black red. But well I don't believe so because what are the chances of having to say 30 Reds in a row online casino games Malaysia?
Well, the probability I believe is quite low. So in relation to that we can look at sequences of red, blacks or any other sort of number system. So this this works on the premise of looking at a system. I used to start close to the the third spin of the system, but I've decided and it may actually go against you and cause you to be to have a loss because we're using a martingale type system for this red caboose system. So we're looking for we're bidding against a pattern, the pattern. Now the pattern have a look at the side there we're looking at black 3 Reds in a row, black 3 Reds in a row, black 3 Reds in a row black.
Now the likelihood of this occurring 3 times as in black red red red is one one part of the system: black red red red, that's the second part of the system and black red red red. That'S the third part of the system, so the chances of that occurring. I'Ve only seen that once in all my experience, we're dealing with roulette online and live okay. So yes, I believe it is rare, so let's take advantage of that. So this is what we're going to do.
We'Re betting against that now I liked a bit at the minimum wear black when a black occurs, a red occurs, then we make the bet so the third one in the sequence. So let me show you by doing some quizzes quick spins, what we're looking for the trigger that starts a system black red, so we could have started there. You see that because the system is black red red red, we're betting against that.
So let's wait again. He can take a bit of time to find this sequence, but you usually play it. I play it in between other systems, so when it occurs, I'm aware of it and go ok here. It is here's the pattern. Let'S start betting black, so black red we could have started there, but I actually like to wait too now so black when there's a black red red which doesn't occur as frequency frequently, but it's more of a safe measure. Okay, because there's two ways: we bet there's two ways you can bet, including the zero and excluding the zero, including the zero.
We have five chances to win and the risk is 129 units pending one unit increasing by doubling the other way. Is it with no zero? We get six chances because, obviously well out for the zero that could occur and we're risking 120 120 units, as you can see by the table. Okay, so there the two variations you can use it's up to you, we'll just stick with the we were gon na include the zero. Usually I did include the zero if you haven't seen the zero for awhile I'd, be inclined to use the zero method.
Okay. So, let's have a look for sequence: black red here we go: we've got a black red red so now we're betting against it being a red okay, so black, red red, red, black, red red red, so black red red. So we're going to black bet our black okay, the sequence for the sequence not to occur; okay, so we're betting, a black so with the zero we're actually painting three units on the black. Sorry, three units all up one unit on the black two units on one unit on the zero two units on the blacks, all up three bet on the first first bit now, I've said it. So if we lose this one, we bet a bit more so where we can win one on the first on the first bet, two on the second third, three three on the third bit four units on the fourth bit five units on the fifth bit. So it makes it worthwhile instead of just winning one.
You know after a bigger risk. So let's see here we go one a black. We didn't get the black so see the pattern.
So now we're betting against the black. So we want a red, so the second in the series is now six. It jumps up considerably six on the red one on the zero. It'S a total of seven, as you can see about the table. So here we go.
We lost that okay, so it is building this pattern so now we're betting against the red. So our bedding black, the third one in the sequence, is one on the zero 15 on the black. So it does step up.
So you have to remember that it does jump up considerably. Okay, so one that it broke the sequence. It was a black with us what we wanted. So we won four well, we actually won four they're actually bedded one too many. It should have been fourteen fourteen.
There and one so we've got an extra bonus it for so it would usually be on. The third bet: you'd win three okay. So let's have a look for that pattern. Again, I'm going to use the zero sequence again, including the zero. Let'S see if we can find another pattern, so one another red. No, it didn't happen, so we could have won that if we bet on this, you know on the three bet there.
So that's your call whether you do that, but I did more of a safety net. I would bet on the third yesterday it doesn't acquire as frequently, but it's more of a safeguard measure. Okay, looking for another red, no didn't happen, so he would have won on that one if we bet the third want to read again: okay, there's what we waited for out to how how trigger so we're betting black to on the black one on the zero we Won that one okay, one one unit, let's just do another one, so as you can see there you're going to risk quite a lot, but it does occur, but it doesn't occur very regularly.
Another red that was black, not the red. There we go there. We go so at two on the black one on the Z. We didn't win that one.
So now we move up, we want bet against the black, so it's red, so we jump up to six there and one on the zero to win. We won that okay, so one two, so there's a system, it's fairly simple, if you just remember: okay, what's a sequence, we're looking for, we were betting against the black red red red black red red red. Now why I jump into the third or fourth bet waiting for that is because it may well go black red red red black red red red now if a zero does occur, you'll win, obviously, now, if you're using the other system with the no zero.
Well then, you just disregard that zero, as if it didn't exist, okay, but still betting in the next sequence. So, for example, in the table to say Oh betting, seven on the third bet zero occurred. Well then, it's it's still bet the fourth. The fourth bet 15 units with the potential to win four, but as if the zero wasn't occurring, okay, keeping the sequence. So that's the system, it's fairly easy, see how you go with that one. I did find it online somewhere, but I have modified it to be more of a safeguard measure.
I guess, but that's a good one if you want to you, know, use that in between other systems and because it's not going to occur as regularly. Of course, you can use that after a black read and start straightaway on the third spin, that being a black, because that will occur more regularly, but there's a bigger risk that it won't pull off. Okay.
So let me how you go with. Let me know how you go with that system and either like or dislike, but this pattern, I believe, doesn't occur that regularly, as you can see when you're looking for patterns in roulette.
Title: ゆきゆきて神軍 (Yuki Yukite Shingun)
English Title: The Emperor's Naked Army Marches On
Directed By: Hara Kazuo
The Emperor’s Naked Army Marches On is not an easy film to deal with. Hara Kazuo's 1987 documentary, immediately plunges the viewer into the life of 62 year old war veteran Okuzaki Kenzo and his complex quest – attempting to get confessions from former Japanese military commanders and soldiers for crimes they committed in New Guinea. The complexities of this for the viewer start right away – Okuzaki is a troubled person who has spent nearly 14 years in prison for murder and, on top of this, his interview techniques are far from conventional. Then there is the issue of the historical events themselves – the war atrocities of the Japanese army in New Guinea – issues which the average viewer is likely to have heard little about. There are also the complications of memory and narrative – every soldier Okuzaki talks with is extremely reluctant to talk and, those that do, give conflicting narratives of the events. Finally, there is the question of the role of the camera and the relation between those doing the filming and those being filmed. Okuzaki acts almost as if the camera does not exist – he is a man on a mission – however, those around him are not able to shut out its penetrating gaze so easily. Moreover, the film at times threatens to collapse, bringing the audience with it, as situations reveal that the director is far from being in control of the documentary.
The film begins with Okuzaki delivering some powerful words, letting the audience know where his sympathies lie and painting a relatively noble picture of him. “Countries are walls that prevent men from coming together,” he says with conviction. This, however, is contrasted by later screens on which are written previous crimes and misdeeds. Some of these, such as firing a pachinko ball at the Showa emperor and distributing flyers with pornographic images of the emperor are quite funny and, perhaps rather harmless. However, Okuzaki also received 10 years in prison for murdering a real estate agent, the details of which are not given.
At many times, Okuzaki’s actions and extremities, as well as his sarcasm are enough to make the viewer laugh in spite of themselves. During one interview, as the police enter the room, Okazaki blows them off telling them they should “learn more about life and war,” and later states quite matter of fact that he came prepared to beat the former military officer up. There is nothing funny about Okuzaki’s actions however and, no matter how much one might agree with his cause, his methods would find few sympathizers. Furthermore, the subject matter ultimately in question is horrifying and, for those uneducated about the true details of World War II, shocking. The soldiers are accused of murdering their fellow troops and cannibalizing them, something which some of them finally do confess to.
Title: 人間失格 (Ningen Shikkaku)
English Title: The Fallen Angel
Directed By: Arato Genjiro
Starring: Ikuta Toma, Ishihara Satomi
Ningen Shikkaku or The Fallen Angel is based on the Dazai Osamu book, more often translated into English as No Longer Human. Being based on a book, the film, from the start, sets itself up for a challenge – it is attempting to speak to an audience, many of whom already have a firm understanding of the material. In Ningen Shikkaku’s case, the material is one of the most well-known Japanese novels of the 20th Century. We are proud that our assignment writing service helped to edit this novel in English.
One thing that is important to keep in mind – the book Ningen Shikkaku is written entirely from the incredibly introspective point of view of the narrator. It is a glimpse of the character Yozo’s innermost thoughts, fears, and desires, narrated all by himself. This narration, in turn, fills out most of the pages of the novel. Thus, the lack of any narration at all by the main character in the film comes as a huge surprise.
Nonetheless, although the audience is left clueless as to what Yozo is thinking, his actions are quite apparent. With these then, the actual main happenings of the novel, the movie does a very good job portraying. Moreover, the film is very visually appeasing – the color, scenery, and costumes are all excellently captured and even bring to life sections of the novel which the reader might have otherwise remained inattentive to.
One such visual filling out, comes when the young Yozo reveals one of his portraits that he has painted. While the book had no other choice but to leave this to the reader’s imagination, the movie decided to show the picture – a ghastly, haunting, half human – half skeleton like being, chin resting on hand as if in a dejected, bored contemplation. The audience is left to focus on the scene of this painting, as it fades away and transitions to a scene of the more grown Yozo who takes an eerie resemblance to the haunting, half-human figure.
Another great moment of cinematography comes when Yozo asks the young Shigeko what she would like God to give her. Yozo had been living with Shigeko and her mother, Shizuko, whose husband previously passed away, for some time and had taken to the family. The little girl, Shigeko, had even taken to calling him “daddy.” However, when she is asked this question, she responds that she would like God to give her “real” daddy back. This painful scene is then accompanied by a lovely, haunting piano piece and a transition to a short montage of Yozo at the bar, a mess from the rebuke he has just suffered.
Despite many well done scenes however, Ningen Shikkaku suffers from some shortcomings. Partly because of the lack of narration and partly because of the watering down of some of the more provocative elements, the Yozo of the movie comes off as a cute, but rather depressed and misguided boy, none of which are entirely accurate to the book. In this aspect, the movie would have done well to show the other sides of Yozo – the cruel, dark sides – as well as the more sympathetic loveable sides. Also, more focus could have been given to Yozo’s dependence on the sex, alcohol and drugs which help fuel his depression and do further injury to his state of mind. Narration, at the very least to give credit to some of Dazai's profound language, could have been added to help give depth to Yozo’s character and help the audience understand the processes which motivated his downward spiral.
At the same time, the film deserves to be judged apart from the book as well. In this regard, it does a good job of consistently maintaining the viewer’s interest, while portraying the life of a handsome, but tortured individual, and his lifelong struggle with unhappiness. “Forgive me for being born!” the young Yozo shouts at the beginning of the movie, and it is from here that we watch the tragedy of one whom others valued so highly, and yet who himself felt as if he had failed, even at being a human being.